Examines how artists Joseph Conrad, Francis Ford Coppola and Tim O'Brien show their interpretations of reality through their works.
Written in 2005; 1,529 words; 3 sources; MLA; $ 50.95
Paper Summary:
"Heart of Darkness" by Joseph Conrad was one of the first works of fiction to explore modernist notions of reality, and specifically, what makes an experience "real." The film, "Apocalypse Now" can, in many ways, be thought of as the transposition of Conrad's ideas onto a modern war. Tim O'Brien's "Going After Cacciato" investigates similar themes concerning mental and physical interpretations of reality and is also placed in the Vietnam War. This paper shows that, together, these three works provide insight into the minds of Francis Ford Coppola, Tim O'Brien, and Joseph Conrad; in particular, they reveal how these three artists structure their interpretations of reality through direct experience, memories and dreams.
From the Paper:
"The story that O'Brien tells is a combination of Berlin's "facts," his memories, and his daydreams. Yet, even the facts seem to have more existence in the mind than in physical reality. By the end Berlin admits to himself, "Those were all the facts, and he could face them squarely. The order of the facts-which facts came first and which came last, the relations among facts-here he had trouble, but it was not the trouble of keeping facts. It was the trouble of understanding them, keeping them straight." (O'Brien 323). With this passage O'Brien is hoping to show that even an extensive knowledge of the physical world is always imperfect-and the truths that are born out of these facts are formed within an individual's perspective."
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