An analysis of the representations of gender and sexuality in Ian Fleming's "Doctor No".
Written in 2003; 1,268 words; 5 sources; APA; $ 43.95
Paper Summary:
In the 21st century, James Bond has become synonymous with fast cars, stiff drinks, high stakes and beautiful women. He is the quintessential British hero - men want to be him, and women want to be with him. This paper looks at how upon closer examination of Ian Fleming's 1958 novel, "Doctor No", it appears that Bond is not the perfect embodiment of the Alpha Male as we have come to regard him. It discusses how "Doctor No" shows thinly veiled homosexual anxieties in the relationship between Bond and Honeychile Rider.
From the Paper:
"James Bond is illustrated as a product of the British Public School system. Tony Bennett and Janet Woolacott, writers of Bond and Beyond, determine this from 'Bond's relationship to M [which] carries with it some of the nuances of public school 'fagging', fear, respect and admiration.' Ian Fleming's own education at Eton hints at the source of homosexual anxieties implicit in Doctor No. In Hugo Williams' commentary on Fleming, Williams remembers his own Eton days, 'having to cook sausages over an open fireplace for some older boy.' This insinuation at the same sex domesticity between the boys at Eton - where the younger boy is presumably the wife, the older boy the husband - is rehearsed throughout Doctor No."
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