Examines how the film version of Mary Shelly's classic novel loses touch with the deeper meaning of the text.
Written in 2005; 2,305 words; 1 sources; $ 71.95
Paper Summary:
While striving for something that will appeal to audiences, Hollywood often romanticizes pieces of literature, loosing touch with the deeper meaning within a novel. This paper shows how Mary Shelley's "Frankenstein" was made more visually appealing for audiences through manipulation of character, plo, and setting.
From the Paper:
"Finally, the exaggeration moves into the area of setting, and more specifically, Victor's lab. The movie portrays the lab as being an entire attic length of a building, and attributed with many sophisticated and ornate devices. The novel described Victor's workplace as being "a solitary chamber, or rather a cell, at the top of the house... separated from all other apartments by a gallery and a staircase" (Shelley, p. 53), and never delves deeper into the equipment used then calling them "the instruments of life" (Shelley, p. 56). The liberties taken by the filmmakers with the lab are obviously done to make it much more appealing to the viewers. The large and ornate lab, with all of its great mechanical devices, and moving parts paints a much more terrifying scene then a lone man with a candle in a cell at the top of his house with nothing more then a collection of dead body parts on a table."
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