This paper distinguishes between the two voices in Marlowe's epic poem the 'Hero and Leander'.
Written in 1997; 1,640 words; 7 sources; MLA; $ 53.95
Paper Summary:
This paper explores the similarities and differences between the two separate voices, one being the narrator and the other the poet himself, in the context of Marlowe's epic poem 'Hero and Leander'. For the reader of Hero and Leander, another dilemma with the narrator and Marlowe the poet arises when we ask the reason for Marlowe's desire to tell his tale through the eyes and voice of an unidentified narrator apart from himself. The initial reaction of an observant reader would be that the narrator is quite inappropriate for this poem. 'Hero and Leander' then represents Marlowe's ultimate attempt at human comedy via a speaker who represents the poet's own image of human nature.
From the Paper:
"In Christopher Marlowe's narrative poem Hero and Leander, a major obstacle confronts the reader in the form of attempting to separate the narrative voice of the poet Marlowe from that which W.L. Godshalk calls "the sensibility of a dramatized narrator. . . who stands between us and the lovers" (307). David Farkas, in his "Problems of Interpretation in Marlowe's Hero and Leander," points out that he hears "two voices in the narrative: the genuine Marlovian voice and the hidden narrator's (Knoll 129). In light of these observations, the question arises as to the means of distinguishing between the dual voices present in the poem. Godshalk asks "Is it Marlowe or the narrator who is so taken with Leander's physical beauty and with Hero's pretended innocence even as she coquettishly leads him on?" (308). Thus, Hero and Leander, in regards to the poet/narrator question, "builds its own mysteries and demands a variety of responses" which are "compounded by the fact that we see (the characters) through the eyes of Marlowe, the poet, and through those of an intrusive narrator" (Levin 140)."
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