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French New Wave Cinema

# 122540
A discussion of technique in French New Wave cinema.
2,500 words (approx. 10 pages) | 5 sources | APA | 2008 | United States
Published on: Jan 01, 2008

Paper Summary:

The use of color in French New Wave cinema by three founding directors of the movement is the focus of this paper. The directors and films analyzed are: Agnes Varda's 'Cleo from 5 to 7' (1961) and 'Happiness' (1965); Jean-Luc Godard's Crazy Pete' (1965) and 'Two or Three Things I Know about Her'; and, Francois Truffaut's 'Stolen Kisses' (1968) and 'The Bride Wore Black' (1968). The paper also considers other innovations in this genre of film.

From the Paper:

"The use of color or mixing color and black-and-white in the films of French New Wave cinema represented one of many innovations of directors responsible for this genre of films. Agnes Varda, Jean-Luc Godard and Francois Truffaut all made films mixing black-and-white and color black-and-white films and color films. The films of these French New Wave directors that mix black-and-white and color and are in full color will be the subject of this research. The use of color was employed for a..."

Cite this paper

APA Citation:

French New Wave Cinema (2012, April 01). Retrieved May 19, 2012, from http://www.academon.com/Analytical-Essay-French-New-Wave-Cinema/122540

MLA Citation:

"French New Wave Cinema" 01 April 2012. Web. 19 May. 2012. <http://www.academon.com/Analytical-Essay-French-New-Wave-Cinema/122540>




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