This paper is a metaphysical investigation of Keats's sonnet, "O Thou Whose Face Hath Felt the Winter's Wind," as related to the philosophical texts by Hegel and Emmanuel Levinas.
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Paper Summary:
This paper explains that John Keats in his sonnet ,"O Thou Whose Face Hath Felt the Winter's Wind," has two ontological entities, the speaker or "I", and the addressed, or the "thou". The author points out that Hegel is reluctant to say what he says because he finds the language of the world of appearance to be necessarily reductive; but, in the Keats's poem, the addressed seems to be a more settled version of Hegel's blind man, or man with sight, as he or she has taken hold of the abundant wealth of the supersensible beyond. The paper concludes that Keats's sonnet affirms nothing but doubt, both doubt in the autonomous self and doubt in the existence of a beyond that is anything more than a projected human construct.
From the Paper:
"A common association with darkness is ignorance. Indeed, the phrase "in the dark" is often used when saying someone lacks knowing on an issue. Keats points to this assumption of darkness as ignorance when the speaker of the poem declares proudly and in defiance of common sense, "O fret not after knowledge! I have none." This non-knowing couched in darkness elsewhere could be an exclamation of ignorance, but here represents something different. It is a non-knowing knowledge of that which is outside the realm of conventional human understanding. The transcendent quality of knowledge in the poem is maintained by the binary of sense perception (seeing the trees, cloud tops) and abstractness (the light of darkness)."
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