This paper examines the two medieval works "Everyman," and "The Song of Roland," both written by anonymous authors. Specifically, it compares and contrasts the two texts, illustrating their commonalities and distinct differences. It discusses how no matter how both protagonists accepted their fate and faced death, both stories show that both men died and acquired salvation according to the Christian ideal. It looks at how the play "Everyman" shows this world and its life is only materialistic and temporary. "The Song of Roland" shows living a good life is not enough, one must truly believe in Christianity and repent for one's sins to find everlasting redemption and life. Only life after death is real and rewarding when one arises to heaven and experiences God's true love.
From the Paper:
"Yet another theme in both stories is trust and loyalty. Roland's character embodies ironic trust, because it is his own stepfather who betrays him. Roland is loyal to a man who he cannot trust. Oliver, Roland's good friend, is loyal towards Roland until his death. In "Everyman," Good Deeds loyalty surpasses those of everyone else. All the others who call themselves friends promise Everyman loyalty and faith yet their words mean nothing for they fail to keep their promises. This is where the two men diverge. They have much in common, but the two works diverge in their style and delivery, which sets each man apart with his own struggles and messages."
More papers on "Everyman" and "The Song of Roland":
"Everyman" and "The Song of Roland" (2012, January 15). Retrieved February 11, 2012, from http://www.academon.com/Analytical-Essay-Everyman-and-The-Song-of-Roland/28015
""Everyman" and "The Song of Roland"" 15 January 2012. Web. 11 Feb. 2012. <http://www.academon.com/Analytical-Essay-Everyman-and-The-Song-of-Roland/28015>
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