Examines the use of the four characters to portray post-modern drama and reality.
Written in 1992; 1,800 words; 7 sources; $ 63.95
From the Paper:
"THE "NEW SENSIBILITY" OF "ENDGAME"
Samuel Beckett's Endgame has been described as a drama that presents "the death of the stock props of Western civilization---family cohesion, filial, parental, and connubial love, faith in God, artistic appreciation and creation." It is the THESIS of this paper that Beckett is able to use only four characters--- Hamm, Nagg, Nell, and Clov--- to portray the fact that modern theater has to address itself to a new sensibility that today might be termed "postmodern." Beckett gets his title from the final stage of chess, when only a few pieces remain on the board and checkmate is near. This is the "endgame," and Beckett's play demonstrates that the mechanics of the theater (as they mirror "life") are near the checkmate stage."
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