This paper analyzes the diversity of voice in Edwin Morgan's poetry and the nature of authorial voice in general.
Written in 2003; 2,392 words; 9 sources; MLA; $ 73.95
Paper Summary:
The paper discusses how Edwin Morgan assumes a false persona in his poetry. In particular, the paper discusses the issue of the authorial voice, that is the voice or speaker used by the author when s/he seemingly speaks for her/himself. The paper looks at how the notion of authorial voice is understood by twentieth-century critics and illustrated in Morgan's poetry.
From the Paper:
"Critics attempting to encapsulate the poetry of Edwin Morgan in a single term soon find themselves bewildered. His position as the most eminent contemporary poet in Scotland is, indeed, largely due to his enthusiastic multiplicity, in terms of language--Morgan has translated works from Russian, German, French, and even Hungarian--but also in terms of poetic devices. With some cubist restlessness, Morgan has created and abandoned techniques of his own devising: emergent poetry, performance and concrete poetry, instamatics, newspaper cut-outs and even wordless poems. Indeed, his awareness that language is a living and cleverly intelligent tool with which you can play gives rise in his poetry to a prodigious diversity of voices."
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