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Analytical Essay # 27997 :: Conventionality and Morality in Literature
A discussion of how the works of Charlotte Bronte, Charles Dickens, and Thomas Hardy demonstrate that conventionality is not morality and self-righteousness is not religion.
Written in 2002; 1,131 words; 0 sources; MLA; $ 39.95
Paper Summary:
This paper examines how the literary works "Jane Eyre" by Charlotte Bronte, "Great Expectations" by Charles Dickens and "Tess of the D"Ubervilles" by Thomas Hardy show that conventionality is not morality and self-righteousness is not religion. It shows how the dichotomy between religion and righteousness is a central theme of "Jane Eyre", how "Great Expectations" explores morality through its main characters, especially the narrator and protagonist, Pip and how "Tess of the D"Ubervilles" presents the conflict between conventionality and morality through its main characters. It discusses how through the actions and sentiments of the main characters, Bronte, Dickens, and Hardy demonstrate that true morality and spirituality are based on personal conviction, friendship, loyalty and love and how the conventions of society, especially in relation to social class, can be obstacles to a true moral code and genuine spiritual growth.
From the Paper:
"Jane's moral code is conventional, but it is not rigid. She does not approve of Rochester's lustful past or his marriage to Bertha, but she does not completely cut him out of her life. Jane Eyre is able to transcend conventional female roles as well, by acknowledging her simultaneous needs for love, companionship, marriage, and independence. In the Victorian era in which Jane Eyre was written, women conformed to certain standards of behavior. Jane does not shun conventional morality, but she manages to question the oppression of both her gender and her social class. As she does so, Jane exhibits a mature sense of morality and spirituality. Jane must also contend with the religious views of both Helen Burns and St. John. In Helen Burns she sees the pitfalls of a strict morality, which she ultimately rejects in favor of a balance between earthly passions and spirituality."

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