An exploration of Thomas De Quincey's preoccupation with the romantic notion of the dual self and the significance of this view in the conflicting narrative voices in "Confessions of an English Opium Eater".
Written in 2005; 3,107 words; 6 sources; APA; $ 90.95
Paper Summary:
Through an examination of the interplay between the controlled and impassioned personas, it is ascertained whether De Quincey's portrayal of a divided self in his novel "Confessions of an English Opium Eater", is as clear-cut as the romantic view, or, whether his ego is a rendezvous of indeterminable personas. The meta-narrative repercussions of this interplay on structure, language and authorial perspective is also examined.
From the Paper:
""Nietzsche's claim that 'the ego is a rendezvous of persons' (Letwin: 1987: 84) is aptly reiterated by Thomas De Quincey: 'A self-conquest may reasonably be set off in counterbalance to any kind or degree of self-indulgence' (De Quincey: 1998: 2). De Quincey exemplifies a distinctly Romantic approach to the complexities of divided selfhood, a view that originates in Plato's concept of the dual self, 'a rational self battling against the irrational self' (Letwin: 1987: 85). In De Quincey's autobiographical work, Confessions of an English Opium-Eater, a tension exists between an impassioned, exaggerated 'self', and an analytical, cohered, 'self', demonstrating an apparent interplay between subjective emotional self and objective creator."
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