This paper discusses the difference in the English translations by poets Ronald Miao and Herbert Giles of the Chinese poem, "Boudoir Thoughts", originally written centuries ago by Hsu Kan.
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Paper Summary:
This paper explains that there is a striking difference between Ronald Miao's translation of "Boudoir Thoughts" by Hsu Kan, which is closer to the text of the original, than the very Western-style translation by Herbert Giles. The author points out that, in Miao's translation, the speaker seems to be mourning the loss of the beloved without blame or bitterness; whereas, in Giles's reinterpretation, the speaker seems alienated from the beloved and filled with bitterness. The paper relates that the general tone of the poem in Miao's translation is quieter and has more resigned speech; in Giles's translation, the tone is far more exorbitant and uses passionate words.
From the Paper:
"This difference begins when Giles addresses the clouds directly, as if they were human: ?O floating clouds... bear on your wings these words... Alas, you float along nor heed my pain, and leave me here...? Giles looks at the clouds and sees them as cruel beings who will betray and abandon the poet. Miao, on the other hand, uses the silence of the clouds as a way to show the scale of the poet in relationship to the world, and to express not abandonment but distance."
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