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allesandro, analysis, botticelli, dominican, florence, friar, iconography, influences, mystic, nativity, reflects, religion, savonarola, zeal
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Analytical Essay # 111481 :: Botticelli's "The Mystic Nativity"
An analysis of how the iconography in "The Mystic Nativity" reflects the Dominican Friar Savonarola's influences on Allesandro Botticelli.
Written in 2009; 2,179 words; 7 sources; MLA; $ 67.95
Paper Summary:
The paper examines the Savonarolan iconography in the "Mystic Nativity" painting by Allesandro Botticelli in order to provide evidence for the influence of Savonarola's preaching, beliefs and political influences on Botticelli's artwork during the time of Savonarola's authority over Florence and her people.
From the Paper:
"Allesandro Botticelli painted the Mystic Nativity during the beginning of the 1500s in Florence, most likely for a private patron and follower of the fanatical Dominican Friar, Savonarola. The Mystic Nativity, named for its mysterious symbolism is tempera on canvas measuring 108.6 x 74.9 cm and is currently located in the National Gallery, London. Although there are many interpretations of the iconography included in this nativity scene, the majority of the interpretations diverge primarily into two lines of thought. One such line of thought confidentially believes that the Dominican Friar, Savonarola had an enormous impact on Botticelli's later paintings including such artistic works as the Mystic Nativity and the Mystic Crucifixion due to the Savonarolan beliefs, preaching, and political influences of the Dominican Friar. Another line of thought belongs to those who identify the iconography with the other symbols of Botticelli's time and the city of Florence during the late 1400s until the early 1500s where Botticelli painted the Mystic Nativity."

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