An analysis of Samuel Beckett's use and manipulation of dramatic and stage conventions in "Waiting for Godot".
Written in 2006; 2,427 words; 0 sources; $ 74.95
Paper Summary:
This paper discusses the innovations used by Samuel Beckett in his play "Waiting for Godot" such as the use of dis-connective dialogue, the sense and use of off-stage space, characters' understanding of and use of time, and the revelation of stage properties and characters as tools of the dramatist.
From the Paper:
"Within the very first lines of the play, we understand that the characters and their dialog do not relate to one another on the same plane. When Estragon says "Nothing to be done" and Vladimir replies "I'm beginning to come around to that opinion myself" it becomes clear that though Vladimir's response could be an appropriate one in an ordinary conversation, our visual cues tell us otherwise. In this moment, the characters are talking past one another and not to one another. One is attending to his boot, the other is philosophizing. In the first two lines Beckett shows us two very important things about the characters, that Estragon is a man who concerns himself with the physical, both discomforts and pleasure, and that Vladimir is a man of the mind. "
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