This is a critical analysis of Nathaniel Hawthorne's story "The Birthmark".
Written in 2002; 1,205 words; 0 sources; MLA; $ 41.95
Paper Summary:
This paper is about the main character in Hawthorne's story "The Birthmark." The paper deals with Aylmer's quest to perfect nature through science. It includes an explanation of the significance of the allusion to Pygmalion in the story. The essay concludes with a look at the irony of Aylmer's wife being the one to realize the "truth" of the futility of the quest while her husband was the one who wanted to acquire the wisdom of the gods.
From the Paper:
"Aylmer, in Hawthorne's 'The Birthmark,' is described as a 'man of science' who wishes to 'lay his hand on the secret of creative force and perhaps make new worlds for himself' (359). The latter phrase drives Aylmer's ambitions and demonstrates his obsession with garnering power of the gods for himself. Convinced of the imperfection and the limitations of Nature, Aylmer shudders at the very thought of another 'hand' being pressed upon his precious wife's cheek. Aylmer, like Pygmalion, Prometheus, and Shelley's Victor Frankenstein, is interested in stealing the art of creating perfection; however, his perfection, unlike Pygmalion's statue brought to life, signifies death to an already living, breathing, and perfect creation of Nature. Georgiana's 'corruption' is not due to a birthmark, nor is it solely physical in nature by the story's end; she was neither doomed nor damned at conception, but rather by the expectations of her obsessive, imperfect husband of science."
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