An examination of how the satire "A Modest Proposal," by Jonathan Swift, James Joyce's novel "Ulysses," and Frank McCourt's autobiography "Angela's Ashes" concur in implying that progress and freedom from oppression can be achieved by the practice of art.
Written in 2008; 2,608 words; 6 sources; MLA; $ 78.95
Paper Summary:
This paper discusses how, in response to centuries of British occupation and oppression in Ireland, the Irish writers Jonathan Swift, in his satire "A Modest Proposal," James Joyce, in his novel "Ulysses," and Frank McCourt, in his autobiography "Angela's Ashes," and by articulating the feelings of helplessness and stagnation of the Irish people, and by creating works in the form of literary pastiche, provided models for Ireland to redefine its national identity and overcome the trauma of its past. The writer shows how Swift exposes Irish passivity under exploitation, how Joyce further refined and added depth to the discussion begun by Swift, creating an alternative path to self, and how McCourt drove home the same failure to resolve the nightmares of history, and the Irish inability to achieve artistic distance, wherein lies the path to freedom and progress.
From the Paper:
"The colonial rule of the British Empire undoubtedly had a heavy hand in shattering Irish identity. In his satirical pamphlet A Modest Proposal, Swift, experiencing Ireland's struggle to deal with its own problems firsthand, jabs unsparingly at the British rulers, who failed to assume responsibility for their dependant. Exploiting Ireland's already scarce resources, British rule instead contributed to aggravating poverty and suffering in Ireland. In fact, Swift suggests they may even have facilitated it: "Perhaps I could name a country which would be glad to eat up our whole nation." (Paragraph 30) The accusation also illuminates Swift's perception of the etat des choses between Ireland and the United Kingdom."
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