A look at the philosophical conceptions of one of the most notable writers of the 20th century, Albert Camus.
Written in 2004; 1,284 words; 4 sources; MLA; $ 43.95
Paper Summary:
This paper provides a brief biographical account of writer, Albert Camus, and then delves into an analysis of some of his works. Specifically, the paper focuses on three of Camus's novels, "The Stranger", "The Plague", and "The Myth of Sisyphus". The paper explains Camus's philosophical conception concerning the contradiction between man being a rational being but existing in an irrational world, as well as the current of existentialism running throughout the novels.
From the Paper:
"Albert Camus was born on the 7th of November 1913 in Algeria from a French father and a Spanish mother. His father died in the First World War (seriously wounded in the battle of the Marne, he died a month later), so that Camus was raised by his mother and never knew his father. Camus spent his childhood in Alger, in his grandmother's house, where he received his first education. Later on, he passed onto to primary school under the tutorship of Louis German, to whom Camus will bear a strong gratitude his whole life and whom he mentioned in his acceptance speech upon winning the Nobel price in 1957. It was German that first encouraged Albert Camus in his studies and who convinced him to pursue a higher education within the Algiers University. During his time at the university, he founded the Th?"tre du Travail in Algiers, where his first play, R"volte dans les Asturies, was put on scene. After earning a degree in philosophy, Camus quickly established himself as one of the most notable writers of the 20th century with novels like The Stranger (1946), The Plague (1948) and The Myth of Sisyphus (1955). Writer and novelist, philosopher, leader of the absurd school of thought, playwright, actor and translator, Camus was one of the most important literary figure of the 20th century. His life came to a tragic end on the 4th of January 1960, when he was killed in a car crash together with his friend and editor, Michel Gallimard. Ironically enough, Camus had intended to return to Paris by train, because of his dislike for cars, and a return rail ticket was found in his pocket."
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