Discusses this novel by Colombian author, Gabriel Garcia Marquez.
Written in 2002; 1,418 words; 1 sources; $ 47.95
Paper Summary:
Gabriel Garcia Marquez is a Colombian writer noted for his mixture of realism and fantasy in stories with great power and "A Very Old Man with Enormous Wings" is such a tale. The paper shows how Marquez draws on his own knowledge and experience of village and city life and of the political currents of Latin America in shaping his stories, but he also infuses these tales with his particular moral sense and with his conception of meaning evoked by combining the real and the fabulous in a near-allegorical fashion. The paper discusses how issues of human identity are developed through such allegories, which examine the identities first of individual characters and then of human begins in similar situations. Marquez uses the image of the village as a microcosm for all of society, and just as each individual in the village finds his or her identity in relation to the rest of the village, so does every man and woman in a larger society find an identity in how they relate to their culture.
From the Paper:
"In the story, the issue of whether or not this man is an angel is treated in a way that is counter to what we might intuitively expect. We might expect that an angel would be hailed and that the people would gain some spiritual sustenance from the visit of an angel, but this is not what happens at all. The old woman next door believes he is an angel, and yet she urges that he be clubbed to death because she believes angels are "the fugitive survivors of a celestial conspiracy." Pelayo and his wife are not sure if this old man is an angel, but as long as people question whether he is or not, those people will pay to see him. They make the old man into an attraction and thus turn a burden and an uncertainty into an opportunity to make money. In doing this, they are only continuing their task of eking out a living by using whatever opportunity presents itself."
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