A deconstructionist analysis of John Ashbery's seminal -- and most difficult -- poem.
Written in 2000; 860 words; 0 sources; MLA; $ 30.95
Paper Summary:
The paper begins with an analysis of the painting by Francesco Mazzola Parmigianino from which the poem's title is taken. An analysis of each stanza of the poem follows, concentrating on the motifs of reflection and perception in the poem: i.e. the universe and the distortions of the universe through language. The paper concludes with an explanation of Ashbery's use of quotations from various sources.
From the Paper:
"John Ashbery, in ?Self-Portrait in a Convex Mirror,? discusses impressions gleaned from meditating on Francesco Mazzola Parmigianino's self-portrait of the same name and the philosophical sentiments it inspires. The opposing yet complimentary dynamics of perception's flow from an objective universe (observation of the real) and outward expression of the subjective self's musings on said perception (formation of thought and language) is the undercurrent motif coursing throughout the poem??a constant vacillation between inward (Parmigianino's distant eye, seeing the reflection) and outward (his magnified hand, translating it) radiates as a purgatorial pendulum of Ashbery observations and tangential comments."
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