Looks at James Joyce's use of symbolism in his book, "A Portrait of the Artist as a Young Man".
Written in 2004; 1,134 words; 1 sources; MLA; $ 39.95
Paper Summary:
This paper looks at the different symbols and motifs used in Joyce's book and how they are used to illustrate the main character's maturity and growth. The paper explains how Joyce uses color, birds, and water as symbols, as well as his use of motifs such as fire, prayer, and religion.
From the Paper:
"One significant use of symbolism in "A Portrait of the Artist as a Young Man" is the myth of Icarus and Daedalus. Like Icarus and Daedalus , Stephen is wandering and seeking his identity. Because he is on a path to self-discovery, Joyce has Stephen walk the path of many roads. For instance, Stephen is wandering the streets when he happens upon his first sexual encounter. We are told that he "wandered into a maze of narrow and dirty streets" (100). Stephen also wanders "swiftly throughout he dark streets" (139) when he is struggling with his sin. He "walked on and on through illicit streets, fearing to stand still for a moment lest it might seem that he held back from what awaited him" (140). After his confession, we are told the "muddy streets were grey" as a purified Stephen made his way home. Stephen must balance his desire to leave his country with his own abilities. To avoid making a bad decision such as Icarus did, Stephen decides to spend more time at the university and develops his craft of writing."
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