Abstract "The Metamorphoses" by Homer portrays a different side of Odysseus as a character, which is entirely different from the Odysseus that readers were acquainted to in "The Iliad" and "The Odyssey" by Homer. While Odysseus is portrayed as a courageous and intelligent warrior in "The Iliad" and ?The Odyssey,? Ajax in "The Metamorphoses" is illustrated as a coward and a brilliant schemer in order to fool the people in believing that he is the rightful heir to the title of Achilles as the great warrior of the Achaean/Greek society. This main difference between Ovid and Homer's works is the focus of this paper.
From the Paper "Ovid, on the other hand, portrays a different and more critical picture of Ulysses (Odysseus) as warrior in the Roman literature. In an article by James Hunter, Odysseus? character is similar to Ovid's portrayal in ?The Metamorphoses,? wherein he is known to be a cunning and treacherous warrior who would rather find ways out of a problematic situation than to fight bravely towards solving the problem (Hunter 2003). In fact, in W. B. Stanford's analysis of Odysseus character in the ?The Ulysses Theme,? he discusses the criticism of Ovid and other Roman literary writers in the portrayal of Odysseus in the ?post-classical tradition.? "
Abstract This paper examines how, throughout the passage in Book IV, lines 422-436 of "The Iliad", Homer depicts the differing military strengths of the Achaeans and the warriors of Ilion, but also notes the mutual fear overwhelming both sides. The paper specifically discusses how Homer uses an underlying layer of rampant war imagery and diction, to paint a picture of the impending conflict between the Danaans and the Trojans.
From the Paper "The phrase "beat upon beat" in both lines 423 and 427 sustains this argument by creating a word pattern that imitates the relentless and recurring forward motion of the breaking waves. The first time the phrase appears in line 423, it characterizes the sea constantly battering the shoreline. In the case of this metaphor, "beat" stands for the stroke or blow of the waves against the surface of the beach. However, the second usage of the phrase, in "so thronged beat upon beat the Danaans' close battalions" (line 427), can have a different meaning; here "beat" can signify the sound or pulsation of war drums. This potential double meaning in different contexts and repeated use of the phrase "beat upon beat" and "beat" in the phrase itself strengthens the metaphorical ties between the ocean and the Achaeans and, consequently, the Achaeans seem all the more menacing and comparable to the invincible sea. "
Abstract Racism in sports has its roots in the history of racism in Europe. Kleg writes, for example:
The Achaeans and Dorians who invaded Greece beginning in the twelfth century B.C., destroyed the Bronze Age culture of Mycenaean Greece and ushered in a "dark age" from which it took centuries to recover.
From the Paper " Racism in sports has its roots in the history of racism in Europe. Kleg writes, for example:
The Achaeans and Dorians who invaded Greece beginning in the twelfth century B.C., destroyed the Bronze Age culture of Mycenaean Greece and ushered in a "dark age" from which it took centuries to recover. These invaders . . . were regarded as boorish compared to the civilizations of the Near East and Egypt that were already thousands of years old. When these Greeks finally became civilized and developed a flourishing culture, they looked upon others as inferior and barbaric. . . . (Kleg, 1993, 86-87).
It was not until the conquest of nations in Africa that the practice of "chattel slavery" became widespread, and this practice was institutionalized by Europeans in the New World..."
Abstract This paper compares the main characters in Sophocles' play, "Oedipus the King", and Homer's play, "The Iliad", and demonstrates how both characters start off enjoying their status as heroes, but later succumb to their own emotions causing them to become victims and tragic heroes.
From the Paper "Achilles is described as being "of the swift feet" (Homer I.148). The development of Achilles as a hero is interesting because of how Achilles moves from a hero to an enraged hero. Throughout The Iliad, he undergoes substantial changes that influenced the development of his character. Before the Trojan War, Achilles was known to be a hero because of his incredible ability to fight. Achilles was very proud of this fact and, as a result, very confident as well. However, it is his confidence that leads to his death."
Tags: agamemnon, trojans, achaeans, odysseus, riddle, sphinx, teiresias, laios, death
Abstract This paper attempts to explore the Homeric uses of simple light and dark terms to develop possible symbolic meanings in the Lattimore translations of the epics "The Iliad" and "The Odyssey". It first explores references to light then dark uses in both epics and then explores individual uses in each epic. The order of explanation develops the point that in "The Iliad" light and dark references mostly describe war, while in "The Odyssey" the terms develop a wide array of objects and situations because there is no major war.
From the Paper "First, light seems to appear in both epics when referencing gods, weapons, and other general descriptions. Through reading both epics, one can discover that Homer has utilized light to develop the love and admiration for gods and goddesses, much like other ancient Greek writers. Such descriptions can be seen in The Iliad. In the text Apollo is referred to as: "lord of the silver bow" (Book I, 37) . Throughout the text Homer's descriptions also portray Hera as the goddess with the white arms. Also, when in Olympos the gods and goddesses are said to drink in golden cups. In The Odyssey goddesses are especially referenced through bright terms."
Abstract An analysis of Aristotle's main elements in "Poetics" that applies these concepts to the epic by Homer, the Iliad. The paper discusses catharsis, tragic drama, the function of art and attributes of the Hero of the drama.
From the Paper "Poetics and The Iliad: Introduction. Aristotle's "Poetics" is considered to be one of the most useful critical works of classical antiquity. It is also one of the best depictions of the mode and aims of Greek art generally. In "Poetics" Aristotle affirms the capacity of human beings to imitate nature and life as a unique ability. His views on this issue are explicated in a discussion of various forms of epic poetry usually expressed as drama or other forms of theater in the Hellenistic world."
Abstract This paper explores the styles of ancient Greek art and the depiction of mythological and heroic images in art. The paper devotes time to describing the Mykonos amphora, the combination of scenes that depicts acts of Greek brutality and violence. The paper also describes many other pieces of pottery and art that are representations of the Trojan War's climactic events and discusses the tendency to merge together disparate episodes of the Iliad narrative. The writer opines that the images and depictions found on a great variety of ancient Greek pottery provide a fascinating glimpse into the cultural and artistic world of one of the first societies to practice democracy and to explain the natural world in scientific terms.
From the Paper "In essence, the oral history of the Trojan War has come down to us through the epic poem the Iliad by the Greek poet Homer who composed this famous account of the conflict between the Trojans and the Greeks sometime during the 8th century BCE and the Ilioupersis ("The Sack of Ilion") by Arktinos of Miletos which survives only in a few ancient references (Magrath, 2002). The basic tale of the Trojan War relates events that allegedly occurred some five hundred years prior to the writing of the Iliad and the Ilioupersis, circa the 13th century BCE during the Mycenaean Period in ancient Greece."
Tags: Trojan, War, Mykonos, amphora, Achaeans, Helen, Menelaus, Cassandra, Astyanax
